![]() ![]() Cremaster är även namnet på den muskel som kontrollerar testiklarnas sammandragningar. rsta stadiet i Cremaster 1, där skillnaden mellan könen är som minst till den femte och sista delen, där skillnaden är som störst.I filmserien sker en gradvis visualisering från det f Det är ett gigantiskt, ambitiöst och lätt surrealistiskt avantgardeprojekt med en utgångspunkt i den biologiska skapelseprocessen och det från början obestämda könet. Barneys stora filmprojekt ”The Cremaster Cycle” består av fem filmer som har tagit tio år att färdigställa. Goldsmith Foundation, and The Foundation-to-Life.New York Times har beskrivit Matthew Barney som USA:s viktigaste konstnär i sin generation. Major underwriting for Season 1 of Art in the Twenty-First Century is provided by Robert Lehman Foundation, PBS, National Endowment for the Arts, Corporation for Public Broadcasting, Rockefeller Brothers Fund, Agnes Gund and Daniel Shapiro, The Allen Foundation for the Arts, The Broad Art Foundation, The Jon and Mary Shirley Foundation, Bagley Wright Fund, The Rockefeller Foundation, The Andy Warhol Foundation for the Visual Arts, The Horace W. Public Relations: Kelly & Salerno Communications. Interns: Maytal Ahrony, Joyce Alcantara, Christina Darcy, Leslie Fritz, Johanna Goldfeld, Susannah Gust, Sage Lehman, Kelly McCoy, Genevieve Mercatante, Jeff Seelbach, & Stacy Wu. Ryle Tamberelli Video TenniSport University of Texas, Austin & Darin Webb. Grace Guggenheim Museum Russell Hassell John McEnroe Gallery KNOWMAD Confederacy Spike Lee Bruce Mac Corkindale Steve Malmberg, Queens Museum Cara Mertes Tom Miller Margarita Moreno Carter Mull Museum of Modern Art, New York Chris Pullman Project Row House Nick Robinson Chelsea Romersa Matt D. Chaney Cincinatti Art Museum City Lights Susan Delson David Ebner Frederick R. Baker Alison Beall Jamie Bennett William Bush Dr. Special Thanks: Fareed Armaly Art Car Museum Anne C. Post-Production Supervisor: Michael Weingrad & Keir Randall.Īrtworks courtesy of: Matthew Barney Michael Ray Charles Mel Chin Andrea Zittel Andrea Rosen Gallery Frederieke Taylor Gallery Barbara Gladstone & Tony Shafrazi Gallery. Sound Mix: Tony Volante & Soundtrack, New York. Sound Editing: Margaret Crimmins, Greg Smith, & Dog Bark Sound. On-Line Editor: Don Wyllie & Frame:Runner NYC. Animation, Visual Effects & Compositing: Spontaneous Combustion. Art Design and Direction: Open, New York. Driver/Special Effects: Bob Bass.Ĭreative Consultant: Ed Sherin. Sound Recordist/Producer: Mikael Manoukian. Director of Photography/Sound/Producer: Wes Sandel.ĭevil’s Night Commercial | Director: Helen Nagge. Producer: Manuel Pellicer & Kathleen Pellicer. Mel Chin Houston Segment | Director: James Harithas. Introductory Segment | Artwork: Barbara Kruger. Assistant Avid Editor: Matt Prinzig & Kate Schmitz. Animation Stand Photographer: Marcos Levy & City Lights. Production Assistant: Steve Carrillo, Courtney Harrell, & Kevin Tierney. ![]() Gaffer/Grip: Ned Hallick, John Roche, & Wilson Waggoner. Sound: Rick Albright, Stuart Deutsch, Andrew Garrison, Steven Robinson, Gary Silver, & Bill Wander. Assistant Camera: Jarred Alterman, Steve Carrillo, Brian Hwang, Alan Pierce, Beth Puorro, & Kipjaz Savoie. Additional Photography: Adam Larsen, Laura Recht, & Deborah Shaffer. Director of Photography: Ken Kobland & Joel Shapiro. Researcher: Quinn Latimer & Wesley Miller. ![]() Executive Producer & Curator: Susan Sollins. Created by: Susan Sollins & Susan Dowling. ![]()
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